Kelly has a huge “working” playlist (and also: huge headphones) and she wrote about part of it for David Gutowski’s Largehearted Boy Book Notes series:

I wrote the nine stories in Get in Trouble over not quite a decade. I wrote them, usually, with headphones on; usually listening to to the same songs over and over again. When no one else is around I sing out loud — embarrassingly, terribly, out of tune — mangling lyrics and harmonies. Does anyone else do this? Type out your own sentences while singing someone else’s lyrics? Anyway. I need to be distracted from the work that I’m doing while I’m doing it.

The songs below are culled from the very much larger playlist that I listen to when I work. There are significantly more than nine songs on it, but I couldn’t whittle it down any further. They’re the songs that I wore out the hardest while writing these stories. I’ve ordered them according to how long they’ve been stuck on that playlist, and for each story I’ve attached the song (or songs) that seemed to have particular resonances with it, and for me. [read on]

Audie Cornish interviews Kelly for All Things Considered on NPR: audio / text.

Brazos Bookstore: In an interview you did with The Short Review, you said you often enjoy writing with other writers within “conversational distance.” Do you still do that?

Kelly Link: Yes! I do! I’m actually sitting here with Cassandra Clare and Holly Black, on a couple of sofas. It’s 1:38 in the morning and we’re all getting a little more work done . . . Read More

“The author, most recently, of Get in Trouble asks: ‘Why is the prospect of hosting a dinner party for much-admired living writers so much more terrifying than the idea of hosting the dead?‘”

Kelly Link, By the Book, in The New York Times Book Review

Kelly is interviewed by Julie Buntin for Publishers Weekly.

“The trick, of course, is that we can’t stop reading, that we — like she, like so many of the characters in this collection — are hopelessly engaged.” — David Ulin, Los Angeles Times

“A new Link collection is therefore more than just a good excuse for a trip to the bookstore. It’s a zero-gravity vacation in a dust jacket.” — Amy Gentry, Chicago Tribune

“Link is one of a kind.” — Jane Ciabatarri, BBC Culture

“Utterly addictive, finely wrought concoctions of fantasy and science fiction and literary realism and horror and young adult and old adult.” — Isaac Fitzgerald, The Millions

“If you’ve ever lost something, if you’ve ever had to live without something you really and truly love, Link will break your heart with her stories, and you’ll be glad.” — Rebecca Vipond Brink, The Frisky

“Link’s work is truly original, taking on the shadow places with humor and those that are basked in light with a gravity we’d perhaps be inclined to ignore on our own. Whether it is rich girls building pyramids to entomb their bodies or a hotel where a girl goes to meet the true love she’d found on the Internet, Link takes us on a joyously raucous journey.” — Ben, Book People, Austin, TX

“In her story collection “Get in Trouble,” Kelly Link’s characters splash, thrash and flounder in the unpredictable eddies of a Bermuda triangle bounded by horror, black comedy and pop-culture geekiness.” — Jim Higgins, Milwaukee Journal Sentinal

Kelly’s story from McSweeney’s issue 48 can also be read online on the McSweeney’s website: “I Can See Right Through You.”

When the sex tape happened and things went south with Fawn, the demon lover did what he always did. He went to cry on Meggie’s shoulder. Girls like Fawn came and went, but Meggie would always be there. Him and Meggie. It was the talisman you kept in your pocket. The one you couldn’t lose.

Good news for audiophiles: “Carnation, Lily, Lily, Rose” will be podcast on February 27, 2015, and “The Specialist’s Hat” will come out in late March. More info TK closer to the date.

Kelly has new stories forthcoming this autumn and winter in Monstrous Affections, A Public Space, McSweeney’s, and My True Love Gave To Me.

“Two Houses” in Shadow Show: All-New Stories in Celebration of Ray Bradbury
Reprinted in Ellen Datlow’s new anthology Hauntings.